"I tend always to revert to the idea that Hitchcock was the supremely calculating exploiter of the full range of the medium's possibilities. Mainstream and avant-garde, Hollywood and non-Hollywood, montage and long-take, silent and sound, male focus and female focus, and so much more," Charles Barr, author of English Hitchcock, tells BBC Culture. "The freedoms of post-1960 allowed him to widen his canvas, as it were, but without renouncing the eloquently allusive methods that he had been using and refining throughout his career."
โพสต์โดย : Addison
